![]() ![]() ![]() But as we are reminded in this era of social distancing and chilling uncertainty, how much money a movie has in its wallet is about the last thing people should be worried about, truth be told. Released theatrically in early February, a non-blockbuster time to put out a film if there ever was one, “Birds of Prey” didn’t make “Avengers” money during those five weeks before COVID-19 shut down theaters. (Yes, that really does happen.) It’s as if the world is now a strange, all-too-clinical place where way too many individuals rely on the opinions of others, as well as how much cash a film rakes in at the box office, to form their own opinion of a movie. It’s true that in most of the minds of the general public, Marvel and Disney are the popular kids on the movie-going playground, with many viewers writing off DC’s post-”The Dark Knight Rises” films, and often doing so without ever seeing the films for themselves. How the actresses, stunt doubles and film crew pulled off such a winning, complex sequence would make for a great documentary. This fight scene works magic, turning the usually cheesy use of slow-motion effects into effective, grade-A fun.Īnother showdown that takes place inside a shadowed, heavily mirrored fun house is even more impressive, with Harley, Renee, Black Canary and The Huntress outsmarting - and severely outmatching - Black Mask’s moral-less goons. Harley storming the police station to free Cassandra (Ella Jay Basco), a minor who escapes what seems to be domestic violence by roaming the streets as a pick-pocket, is visually stunning. ![]() Some of the action in “Birds of Prey” is fantastic. Adding to the makeshift girl gang is Renee Montoya (Rosie Perez), a burned-out cop who tires of the chauvinistic favoritism her superiors constantly demonstrate throughout the police station and The Huntress (Mary Elizabeth Winstead), a revenge-seeking woman who has no patience for those who misidentify her weapon of choice. ![]() In between dodging the attacks of Black Mask’s hired assassins and the threats of random, not-so-professional thugs, Harley befriends Black Canary (Jurnee Smollett-Bell), a singer who has become a driver and bodyguard for Black Mask. Actor Ewan McGregor embraces the Black Mask character with ease, oozing untrustworthy motives and balancing his words between viciousness and silliness. Black Mask, showing the most interest in stopping Harley’s heartbeat. No longer the business/love partner of the Joker, Quinn finds herself the target of just about every hit-man and crime boss, with Roman Sionis, a.k.a. Rated R and now streaming online - DVD, Bluray and 4K video versions are set to hit retailers May 12 - the 109-minute “Birds of Prey” follows the glittery, improvising footsteps of Quinn as she attempts to navigate through Gotham’s grimy, dangerous streets as a single woman. Despite the flaws that crept into 2016’s “Suicide Squad,” Robbie shined as the law-bending Quinn, one of the few characters who could stand up to the greatest villain in all of DC Comics, the Joker, and Robbie’s even better in “Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn.” Nominated for the Best Supporting Oscar for her praised effort in last year’s “Bombshell,” the Australian-born Robbie looks and sounds perfect as the bat-carrying, roller-skating Harley Quinn up on the big screen. It’s impossible to imagine a better actress for the role of Harley Quinn, one of Batman’s most popular opponents, than the wonderful, gifted Margot Robbie. ![]()
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